Arab music
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Tunisian musicBreathing new life into Tunisia's bagpipes
At his workshop in Tunisia's capital, Khaled ben Khemis pieces together a type of bagpipe once banned from the airwaves, but now embraced by artists infusing its sound into new musical styles.
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Masaa's Rabih Lahoud in interview"Arabic needs artistic support"
Three German jazz musicians and a German-Lebanese poet and singer: this is what gives Masaa its unique sound. In conversation with Stefan Franzen, vocalist Rabih Lahoud reflects on settling in Germany, his relationship with a changing Arabic language and music categorisations
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Berlin Museum of Islamic Art"Islamic Art” goes digital
The Berlin Museum of Islamic Art’s new online portal is the first digital platform in the German-speaking world to present Islamic cultures in an innovative and entertaining way. By Ceyda Nurtsch
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West Bank's last vinyl repairmanVinyl lover preserves musical heritage
From Jamal Hemmou's ramshackle workshop in Nablus's Old City in the occupied West Bank, classic Arabic songs blare into the surrounding cobbled streets. For how much longer remains to be seen – neither of his sons is interested in taking over the business
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Filming Lebanon’s all-women metal band "Slave to Sirens"Heavy metal combats the Beirut blues
U.S. filmmaker Rita Baghdadi’s film following an all-female Lebanese metal band is well worth a watch. It’s the story of five fascinating young women embarking on their careers as their country falls apart. By Rene Wildangel
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Islamic mysticismUnderstanding the Sufis
To understand Islamic mysticism, we must first clear up a number of misconceptions, as Marian Brehmer writes in his essay – part 1 of a new series on Sufism
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Sufism in MoroccoA cure for extremism?
Morocco's Sufi traditions go back centuries. Now King Mohammed VI is trying to use them to combat extremism. His programme of reforms includes the promotion of Sufi movements and moderate Islamic thinkers. By Marian Brehmer
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Al Qasar’s "Who Are We"A hard message for a hard world
Welcome to the world of Al Qasar, where Arabic music collides head-on with punk and psychedelic to create something powerful and beautiful. "Who Are We" is a raucous, subversive trip into the urban landscapes inhabited by a new generation of Arabs around the world. By Richard Marcus
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Muslims and Jews in the MaghrebA whispered history
The history of Jews and Muslims is far more entangled than you might imagine – but you have to listen out for it. In "Recording History", Christopher Silver takes us on a sonic journey into twentieth-century North Africa, to a forgotten world of records and recording artists – and the music that defined an era. Interview by Tugrul von Mende
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Maya Youssef's album "Finding Home"Music as a place of hope
"Finding Home", the second album by Syrian-born, UK-based musician Maya Youssef, works through feelings of loss and destruction until its music reaches a place beyond war and violence. By Stefan Franzen
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Album review: Imarhan's "Aboogi"Looking beyond the horizon
"Aboogi", on the City Slang label, is the latest release from Imarhan. Hailing from southern Algeria, Imarhan are one of the many bands that have emerged from the Tameshek diaspora. They see their music as a chance to preserve the culture and history of their people. By Richard Marcus
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Morgenland Festival OsnabruckSongs for days to come
This year’s Morgenland Festival opened with the premiere of Kinan Azmeh’s musical theatre piece, “Songs for Days to Come”, based on fifteen poems by contemporary Syrian poets. Marian Brehmer reports for Qantara.de